A General treatment of Greek compounds seems much to be desired. It would have to be undertaken by one who had an up-to-date philological equipment, to which I cannot lay claim. But rather with the hope of eliciting discussion on the subject and learning from others I offer the following observations, and in further study of the subject should be grateful to anyone who would advise as to the exact statistics that may be desirable over and above what I give (...) below. I was led to the subject by a feeling that the treatment of many individual compounds by editors was far from satisfactory, and that possibly a collection of the material might help to bring out the exact meaning of some of the well-known difficulties in the Tragedians. One is dealing here with a highly developed and somewhat arbitrary poetic idiom, and it may perhaps be impossible, as one must admit from the outset, always to make precise the poet's meaning, but it is worth while to make the attempt. (shrink)

It is hardly necessary to recapitulate Rhys Roberts' cumulative and convincing proof that the treatise ‘On the Sublime’ was not written by Cassius Longinus, the tutor of Zenobia, but belongs to the early days of the Empire. Not the least convincing of the arguments for this date is the fact that the treatise is suggested by and put out as a substitute for the Περ ״ϒψоνς of Caecilius of Calacte, who according to Suidas taught rhetoric in Rome in the time (...) of Augustus. Now Caecilius was an intimate friend of Dionysius of Halicarnassus : they were both Atticists and fellow-workers in leading literary Romans back to the best models of Greek prose style. But Dionysius is no candidate for the authorship of the extant treatise, which is not one that he could have written. On the other hand he gives a plain indication by which to identify its writer, which Rhys Roberts mentioned but did not adopt. It is the object of this paper to put this identification seriously forward. (shrink)

After the Jewish War Josephus was taken to Rome by Titus and then enjoyed the favour of Vespasian . The first task set him was to write a history of it in Aramaic for the ‘upper barbarians’, by which he means Parthians, Babylonians, Jews beyond Euphrates and Adiabenians . For his work he doubtless had access to the ‘commentarii’ of the emperor. This task may not have taken him long, but the translation into Greek which we possess took longer, and (...) was finished before the emperor's death, but after the dedication of the Forum Pacis . In its leisurely composition he tells us later that he had ‘certain assistants’ in the Greek language. As the work is quite uniform and smooth in style, we can only assume that J. turned his Aramaic into Greek himself to start with, and then placed the MS in the hands of assistants who systematically revised it, rewriting where necessary. No other hypothesis is possible; for no assistant could have been found sufficiently familiar with both Aramaic and literary Greek—at least it is highly improbable—and we have no reason to disbelieve J. when he says he translated his original treatise. (shrink)

Dr. Leaf's article in the Journal of Hellenic Studies has recalled our attention to the venerable problem of the Rhesus. I hasten to give my adhesion to his main contention that the play is a pièce d'occasion justifying or sanctifying the foundation of the city of Amphipolis. But, as he remarks, seeing that the oracle ordering the removal of the bones of Theseus from Skyros to Athens preceded the actual removal by some years, so this play may be intended to (...) prepare for the actual removal of the bones of Rhesus from Troy by Hagnon, and may be prior to it by several years. For this official theft—doubtless arranged beforehand—we have only the authority of Polyainos' Strategemata, but it is a story which seems likely in itself, and goes far to explain the previously obscure lament of the Muse at the end of the play. My object is to examine the play afresh and see whether anything prevents our believing that it was written and exhibited somewhere near 440 B.C., in which case of course it is almost certainly the work of Euripides and not far from his Cyclops in date. (shrink)